GARRET ALLARD

A curated reel of my most prized motion design work — projects that highlight my approach to title design, typography, and branded storytelling. Each piece balances clarity, rhythm, and cinematic impact while capturing the creative moments I’m most proud of.

For Grand Slam Track’s - The Seven Track Commandments, I crafted a series of bold, rhythm-driven title sequences where each card carried its own point of view tied to the underlying sentiment. The result balanced simplicity with personality, giving the project a cinematic introduction that set the right tone and energy.

For All Mankind: Time Capsule is an Emmy Award-winning augmented reality (AR) experience developed for Apple TV+'s series For All Mankind.

I created the social videos that promoted the app. These pieces combined 3D and 2.5D animation to showcase the interactive keepsakes and immersive storytelling that the app offered.

For HBO’s GOT Party, I contributed motion design to a digital-first campaign that reimagined the race for the Iron Throne as a mock political campaign. Working with Doubleday & Cartwright, I animated type treatments placed directly into Game of Thrones scenes, blending bold political ephemera with in-world visual cues. These cinematic sequences anchored the campaign’s video creative — from attack ads to candidate profiles — helping transform the Season 6 launch into an immersive, fan-driven cultural moment.

I created motion asset across several Disney campaigns, each capturing a different facet of the brand experience.

Find Your #HappyPlace combined custom animated typography and imagery, edited to music to evoke the joy of Disney experiences.

For the Motown – Did It First series, I was tasked with animating the iconic Motown logo, expressive typography, and a series of juxtaposed images that connected the label’s pioneering artists to its contemporary stars. These videos honor Motown’s heritage while showcasing its lasting cultural impact.

For Red Bull Sound Select’s 3 Day festivals, I animated custom illustrations by Alex DeSpain (Portland) and David Iglesias (Miami). The motion pieces were showcased on social media and integrated into the live shows — from large-scale projections to stacked TV displays — extending the festival’s visual identity across both digital and physical spaces.

I brought Electrolit’s branding to life across a series of social videos. Animating the logo, typography, product and athlete imagery to create engaging short-form content. By bringing static images to life with expressive transitions and brand-driven pacing, the series gave Electrolit a more energetic digital presence, while tailoring the work to the fast-moving demands of social platforms.

For A Friend A Fan A Kid, the debut music video for Bobby Feeno (Arian Foster), I contributed face/piano rotoscoping and animation assistance. The video was directed and animated by Tali Kaniatobe at Layback Studios, where I supported the team in bringing the creative vision to life through detailed compositing and motion.

For FOX Sports, I animated a series of shorts that conveyed why people love Major League Baseball and highlighted the network’s role in connecting fans to the game. These pieces included MLB Second-Season and MLB Identity, combining bold typography, archival imagery, and expressive motion to celebrate the energy, tradition, and emotional pull of baseball.

Loops that will live forever, forever, forever, ever, forever, ever…
A collection of seamless looping animations built to mesmerize. Each loop explores rhythm, timing, and repetition designed to play endlessly without losing their magic.

I partnered with Toobs Bodyboards USA on a range of creative projects, from digital to print. My contributions included motion design and editing for promotional videos, custom artwork for board stamps, and layouts for print advertising. Together, these pieces strengthened the brand’s presence in both surf culture and the broader marketplace.